Additional mixes and multiple takes fail to nullify Tusk's previous 2-CD remaster, since "Farmer's Daughter," an actual outtake, didn't make the cut here. Tusk: Deluxe, 5-CD/2-LP/1-DVD, remasters the jittery, witchy disc digitally and on wax, while an alternate patchwork of the album tweaks the ear with different takes that even turn up the original UK quintet's first guitar hero, Peter Green. Rumours – itself a super-deluxe reissue in 2013 – rained Southern California romantic debauchery, but double-album aftermath Tusk went tribal: New Wave ("What Makes You Think You're the One"), pagan ("Sisters of the Moon"), and USC Marching Band (the titular rumble). Notably absent was Christine McVie, who retired from touring in 1998, limiting the band from playing the more pop-oriented songs like “Everywhere” and “Hold Me.Sticky Fingers priming Exile on Main Street, London Calling encored by Sandinista!, Zoot Allures waiting decades for quadruple-LP follow-up Läther: Rock & Roll Hall of Fame acts redlining peak fecundity. He’s not an overly technical guitar player but he employs a unique multi finger-flickering that somehow produces melodious and articulate sounds even though it looks like he’s just strumming.īacking up the band included a second guitarist and percussionist, a keyboardist and two background vocals. Her spinning act was reduced to a few slow circles and at times she looked arthritic trying to get around on the things. The stage show, save a large screen in the back, was virtually non-existent and Nicks did herself no favors trying to perform on four-inch heels. Nicks’ performance on “Silver Springs” and set closer “Say Goodbye” left you wanting for more. “Don’t Stop” was flawless and Nicks was solid on “Stand Back” from her solo album The Wild Heart. “Go Your Own Way” which ended the first set was borderline butchered and “World Turning,” opening the first encore, featured a less than magical drum solo by Mick Fleetwood that felt more like he was getting his bearings.ĭespite that, Buckingham took on “Big Love” without any support and surpassed the album cut. “Gold Dust Woman” felt tiresome which was followed by the lethargic “I’m So Afraid” – until Buckingham closed with some blistering solo work.
Great listens while relaxing at home but in the context of a live show some of the songs came across flat. The two continued with “Never Going Back Again” showing exactly why Rumours is one of the best-selling albums of all-time.įleetwood Mac doesn’t give hard-charging power chords or complexly arranged songs with variable time signatures which in a live setting may explain some of the tedium. Her acoustic duet with Buckingham on “Landslide” was itself worth the price of admission. The only indication of her age was when she skipped the higher notes most notably on “Dreams” and Rhiannon.” But that soprano? It doesn’t come more beautiful than that. The legendary Stevie Nicks looked stunning wearing all black and at 65 manages to look barely 50. “Sad Angel” has a great beat and rhythm but the studio version is detracted by Buckingham’s almost loud whisper of a vocal which thankfully was not duplicated on stage. Introduced by singer/guitarist Lindsey Buckingham as an album probably not regarded as very funny by record executives, it clearly shows the band trying to do something different with “Not That Funny” and the title track, which sounds like an African tribe dance, but neither song radio friendly nor really car friendly.įunny enough, both songs worked quite well live as did the new song “Sad Angel” off the band’s recent EP. “Rhiannon” didn’t fare much better but the band segued into a decent jam that got the night rolling.įour songs from the follow-up to Rumours, 1979’s Tusk got the nod. Crowd favorite “The Chain” second up on the night, failed to impress and felt like a sound check performance. The sound issue did not get fixed until “Sara” – nine songs in. The first few bars were nearly unrecognizable.
The set opened with what should have been a rousing “Second Hand News” but it got bogged down with the treble levels a little too hot. However, the highlights certainly carried the evening that lasted more than 2 ½ hours and proved why 35 years after Rumours, the band carries on today nearly as strong as ever. The 23-song set, including eight from the seminal album, felt cumbersome at times and even dragged at points during several moments. Fleetwood Mac played to a sold-out Rose Garden in Portland on Sunday night showcasing their hits and some deep album cuts in what’s more or less a 35 th anniversary tour of the release of Rumours.
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